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李润德,现为国家一级美术师,中南海国礼中心特聘国礼艺术家,中央国家机关书法家协会会员,中央电视台综艺频道星光大道栏目组特聘艺术顾问,中国书画家组委会书画高级顾问,中国世纪大采风书画院院士,中国品牌艺术名片特邀国际艺术名家,新丝路国际书画院副研究员。中国楹联学会会员,中国中外名人艺术研究会学术委员会艺术顾问,中国乡土艺术协会艺术顾问,并授于中国民间非遗技艺大师称号。

Li Runde is currently a national first-class artist, a special national ceremony artist in Zhongnanhai National Ceremony Center, a member of Calligraphers Association of Central State Organs, a special art consultant in cctv-3 Avenue of Stars column group, a senior consultant in painting and calligraphy of Chinese Calligraphers Organizing Committee, an academician of China Century Dacaifeng Painting and Calligraphy Institute, a famous international artist invited by Chinese brand art card, and an associate researcher of New Silk Road International Painting and Calligraphy Institute. Member of China Couplet Association, Art Consultant of Academic Committee of Chinese and Foreign Celebrity Art Research Association, Art Consultant of China Local Art Association, and awarded the title of Master of Chinese Folk Intangible Skills.

 

李润德作品

2018中国书画年度人物大型网络书画展中,被评为“中国最具创新力艺术家”。

2018年1月中国文学艺术界联会会特授予为“德艺双馨,书画名家”荣誉称号。

2019作品入选中国书画百杰献礼全国两会。

2019,在建国70周评选话动中被授予“人民功勋艺术家”荣誉称号。

2019,4月得到文化部文化艺术人才资科数据库“书画名家”荣誉称号。

2019,7月在时代颂歌中国书画名家贺建国70周年作品联展中荣获余奖,并被评为新时代杰出艺术家。

2018,10月作品在创新中国时代先锋书画名家共贺改革开技40周年大型网络书画展中荣获“一等奖”并授予“改革开放40周年先锋艺术家”荣誉称号。

2019,7月中欧文化交流匈牙利书画邀请展被授予“中匈建交文化使者”。

2019,5月书法作品被中华人民共和国外交部收藏。

2019。7月其书法作品万国诗存巴黎诗被中国国家博物馆收藏。

In the 2018 Chinese Painting and Calligraphy Annual Large-scale Network Painting and Calligraphy Exhibition, he was named "the most innovative artist in China". In January, 2018, the Federation of Chinese Literary and Art Circles was awarded the honorary title of "A Master of Painting and Calligraphy". 2019 works were selected into the National Conference of Baijie Gifts of Chinese Painting and Calligraphy. In 2019, he was awarded the honorary title of "People's Meritorious Artist" in the 70 th week of the founding of the People's Republic of China. In April, 2019, he was awarded the honorary title of "Master of Painting and Calligraphy" in the database of cultural and artistic talents of the Ministry of Culture. In July, 2019, he won the remaining prize in the joint exhibition of the 70th anniversary works of He Jianguo, a famous Chinese calligrapher and painter of the times, and was named as an outstanding artist of the new era. In October, 2018, the works won the "First Prize" and were awarded the honorary title of "Pioneer Artist for the 40th Anniversary of Reform and Opening-up" in the large-scale online painting and calligraphy exhibition in which the famous pioneers of painting and calligraphy celebrated the 40th anniversary of reform and opening-up. In July 2019, the Hungarian Painting and Calligraphy Invitational Exhibition of Sino-European Cultural Exchange was awarded the "Cultural Messenger of the Establishment of Diplomatic Relations between China and Hungary". Calligraphy works in May 2019 were collected by the Ministry of Foreign Affairs of the People's Republic of China. 2019。 In July, his calligraphy works were collected by the National Museum of China.

 

李润德作品

谈到功夫,无论武功夫还是文功夫,都需要夏练三伏冬练三九而取得的真实力。练书法与练武功类似,来不得半点花架子,想走捷径没有门路。观赏书法家李润德先生的书法作品,有一种相当明显的判断,他是一位有实力的书法家,是经过三伏三九久练不辍而获得书法真功夫的翰墨能家。

When it comes to kungfu, both martial arts and literary kungfu need the real strength gained by practicing in summer and in winter. Practicing calligraphy is similar to practicing martial arts. You can't afford to put on airs. There is no way to take shortcuts. There is a very obvious judgment when viewing the calligraphy works of Mr. Li Run, a calligrapher who is a powerful calligrapher and a calligrapher who has gained real calligraphy skills after a long period of practice.

要论书法功夫有没有,没有必要说东道西。玄谈无益,先看看楷书写得怎么样很重要。楷书作为一门深深烙上传统文化载体印鉴的书体,写不成不行,写不好不成!李润德先生的楷书不但写得成,而且写得好,是楷法无欺的典范。笔法精湛,结体严谨,内宫收紧,外展自如。当代书坛不练楷书的现象,几乎成了流弊。一些愿意投机取巧的书法练习者,感觉楷书不太好练,没有几十年的功夫付出,难有作为,干脆就不写楷书了,直接去作狂草,表面上写得龙飞凤舞,但是细细看来无筋无骨。

Whether there is calligraphy kung fu or not, there is no need to talk east and west. It's useless to talk. It's important to see how regular script is written first. Regular script, as a book deeply branded with the seal of traditional culture carrier, can't be written, and can't be written well! Mr. Li Run's regular script is not only well written, but also well written, which is a model of no deceit. Exquisite brushwork, rigorous structure, tight inner palace and free outreach. The phenomenon of not practicing regular script in contemporary book circles has almost become a bad habit. Some calligraphy practitioners who are willing to take chances feel that regular script is not easy to practice, and it is difficult to make achievements without decades of effort. They simply don't write regular script, and go straight to make wild grass. On the surface, they write while dancing, but it seems that there is no muscle and bone in detail.

 

李润德作品

李润德先生的楷书,有碑帖双修的底色。善于从碑中寻风骨,也善于从帖中汲气韵,所以写得特别有精气神。笔法上取欧楷的险绝,用笔灵活。体势上取柳体的端正,结体稳重,对唐楷诸体都进行了琢磨,所以筋骨不失,气韵不缺,带着写行书的意念写楷书,一笔一画非阻绝,而是经脉相连,有气息相通的活性。换句话说,他的楷书并不是状如算子的上下齐平,也不是无有变化的左右齐平,而是点画多变幻,笔墨生妙有的表现力。这种活性楷书,就避免了楷书的印刷体倾向,让楷书仍旧属性专一地构建在书法的体系之中,有非常令人赏心悦目的书写性。

Mr. Li Run's regular script has the background of double repair of inscriptions. He is good at finding character from monuments and drawing charm from posts, so he writes with special vigor and spirit. Take the risks of European style in brushwork, and use the pen flexibly. Liu Ti's body shape is correct, and his body is stable. He pondered Tang Jie's various bodies, so his bones and muscles are intact, and his charm is not lacking. He wrote regular script with the idea of running script, and his strokes and paintings were not blocked, but connected by meridians, with the activity of breath communication. In other words, his regular script is not like an operator's flush from top to bottom, nor is it left and right flush without change, but the painting is more changeable, and the pen and ink produce wonderful expressive force. This kind of active regular script avoids the printing tendency of regular script, and makes regular script still be built in the calligraphy system with unique attributes, which is very pleasing to the eye.

 

李润德作品

当然,要进一步体验李润德先生书法的功夫,除了要作楷书欣赏之外,还要重点看他的行草作品。在当代艺坛搞行草创作是比较难的。如果写得太规矩,容易被论为书奴,如果写得太现代,则被称为是江湖。所以当代草书寻求传承与创新之间的和谐度非常重要,拿捏不好这个度,行草创作往往无功而返,很难写出当代书法欣赏的佳作。

Of course, to further experience Mr. Li Run's calligraphy, we should not only enjoy regular script, but also focus on his cursive works. It is difficult to create grass in contemporary art circles. If writing is too regular, it is easy to be regarded as a book slave; if writing is too modern, it is called a Jianghu. Therefore, it is very important for contemporary cursive script to seek harmony between inheritance and innovation. If this degree is not well grasped, cursive writing often fails, and it is difficult to write excellent works of contemporary calligraphy appreciation.

李润德先生搞行草创作,非常在意法由师授如由户出的传统书风的磨砺,所以他对诸如十七帖、千字文、自叙帖、古诗四帖、蜀素帖等这些传统法帖,都是进行了心追手临式的揣摩,得古人之上法,经过个人书性的酝酿,成就了自己行草的真法,传承传统书风的能力不但强,而且实践力很突出,临池不辍,墨染池水也就不算是传说。他的行草书法走的是瘦硬见精神线条飞仪的路子,根本的法度来源于怀素草书的“妙于瘦”,写锋须往来,笔墨调和,作铁点银钩,方圆周备!这是从传统法帖中汲取到的翰墨养料。

Mr. Li Run, who is engaged in cursive writing, is very concerned about the honing of the traditional style of cursive writing. Therefore, he has tried to figure out the traditional style of calligraphy, such as 17 posts, 1000 characters, self-narrative posts, four posts of ancient poetry, Shu Su posts, etc., and gained the ancients' superiority. After personal book brewing, he has achieved his true method of cursive writing, and his ability to inherit the traditional style of calligraphy is not only strong, but also his practical ability is outstanding. His cursive calligraphy takes the path of thin and hard to see the spirit lines flying, and the basic testimonies come from the cursive script of Huai Su, which says "Better than thin", writing front must come and go, pen and ink should be reconciled, and iron points and silver hooks should be made, and Fiona Fang should prepare for it! This is the nourishment in calligraphy drawn from the traditional calligraphy.

 

李润德作品

其次,他的行草书法还有笔墨当随时代的创新动能,对当代书法审美强调线条美的现象有敏感,非常重视行草线条的表现力。粗的线条写意鸿飞兽骇,细的线条表现鸾舞蛇惊,高低相盈,长短相较,书法线条类万物之象,颇有类万物之象的要妙。所以挥笔恣意,在速度和力度的双重加持下,可以须臾扫尽数千张,把行草书法写得落花飞雪何茫茫,飘风骤雨惊竦竦,非常适合当代审美的需求,这是他的书法很有功夫,也很有声誉的重要原因。

Secondly, his cursive calligraphy also has the innovative kinetic energy that pen and ink should keep pace with the times. He is sensitive to the phenomenon that contemporary calligraphy aesthetics emphasizes the beauty of lines, and attaches great importance to the expressive force of cursive lines. Thick lines are freehand in freehand brushwork, while thin lines show Luan dancing snake, which is high and low. Compared with the length, calligraphy lines are like the image of all things, which is quite wonderful. Therefore, with the double blessing of speed and strength, thousands of calligraphy can be swept away in a moment, and the cursive calligraphy can be written in a boundless way, which is very suitable for the needs of contemporary aesthetics. This is an important reason why his calligraphy is very kung fu and famous.

写出书法的真功夫。要论功夫,李润德先生还有一项独享般的翰墨功夫,就是他的榜书写得很有气势。擘窠大字,力透纸外,雄笔奇墨,榜书写乾坤!大处落笔,小处收拾,把榜书写得奇如华山威如泰山的丰姿多神,这一手书法功夫同样无与伦比,令人心存折服!

Write the true kung fu of calligraphy. When it comes to kung fu, Mr. Li Run also has an exclusive calligraphy skill, that is, his second book is written with great momentum. Breaking the big characters, penetrating the paper, making the pen strange and writing the list dry! Put down the writing in the big place, clean up the small place, and write the second list as wonderful as Huashan Mountain and Taishan Mountain. This skill of calligraphy is also unparalleled, which makes people feel happy!

孔子美术馆馆长:江继良

Director of Confucius Art Museum: Jiang Jiliang

 

李润德作品

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