时代周刊本篇文章1832字,读完约5分钟

个人简介:

爱新觉罗毓骏,曾用名金毓骏,满族,1945年生于北京。世界华人华商华侨联合总会文化顾问,中国建设文化研究会新农村文化建设委员会高级艺术顾问,中国炎黄书画院院长,北京圣莲山书画院院长,北京出版社特聘专家,北京市特级教师。

从小受家庭文化熏陶,喜爱书法,临过颜真卿、欧阳询、赵孟頫楷书,后习二王,亦学临雍正、乾隆行书,逐渐形成了自己的书写风格。

笔力雄健,浑厚圆润,既端庄秀伟,又法度严谨,有雍容华贵的气韵,用笔丰腴而跌宕,迅疾而劲健。

曾经在北京、山东举办个人书展。亦曾为甄嬛芈月传等多部影视作品题写片名,为多处寺庙和风景区题写碑文及匾额。

Inpidual Resume:

Aixinjue Luo Yujun, formerly named Jin Yujun, Manchu, was born in Beijing in 1945.Cultural consultant of World Chinese Joint Federation of Overseas Chinese, senior artistic consultant of New Rural Cultural Construction Committee of China Construction Culture Research Association, president of China Yanhuang Calligraphy and Painting Academy, president of Beijing Xianglian Mountain Calligraphy and Painting Academy, special expert of Beijing Press, and a special grade teacher in Beijing.

Influenced by family culture since childhood, I loved calligraphy. Before Yan Zhenqing's regular of Ouyang Xun and Zhao Meng, he learned the second Kings, also learned Yongzheng and Qianlong running , and gradually formed my own writing style.

The pen is vigorous, rich and round, dignified, and rigorous, elegant charm, pen plump and ups and downs, fast and vigorous.

Once held personal book fairs in Beijing and Shandong province.He has also inscribed the title of Zhen Huan films such as the Legend of Miyue and other works, and inscribed inions and plaques for many temples and scenic spots.

作品赏析:

书法是源于写字而高于写字,书法是写字的艺术。艺术追求的是精神的自由与情感的交融。书法艺术主要是通过线条的变化以及空间分割变化来实现情绪的变化。爱新觉罗毓骏老师的作品就是如此,留白处有宽有窄,宽处给人以豁然开朗之感,窄处给人以柳暗花明的重逢,这就是他的作品迥乎于其他书法家的魅力所在之一,他的书法浑厚大气,行笔迅捷,笔路清晰可循,平稳端庄,在用笔上十分讲究,特点也比较鲜明,善用浓墨,墨色相对重,很少有淡墨或者枯笔出现,字迹大小相互错落,布局严谨,这正是老师在继承基础上的创新。

浩瀚墨海,博大深邃,书道浪激,舟楫难济,数千年来,泛舟荡浆、争流奋进者后继不绝,期间有畏难而返、半途而废者,有折戈沉沙、沦为没迹淹踪者。尽曾这是一条艰难的路,但却有不少持恒誓者登堂入室,他们笔光闪耀,成了墨海的亮点、书坛的魁星,历史证明,这既是先贤们走向艺术殿堂的成功之路,也是后学者唯一的必经之路。爱新觉罗毓骏老师锐志持恒,在墨海激荡几十余载,他的笔光不仅耀映到艺术奥堂的宫阙,亦在奋力冲刺的历程中留下不少辉煌。