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高增懋,号一尘。1949年生于北京,美术本科毕业。幼年受白石弟子李白珩启蒙,酷爱书画;1974年被著名画家王雪涛先生收为入室弟子,系统学习国画数年,深得先生笔法精髓;1981年又受教于著名书法篆刻大家徐柏涛先生学习书法、篆刻。书画同修,德艺双馨,潜心研究中国书画史,细心揣摩古人作书作画技巧,坚持理论绘画教学,笔耕不辍,技艺精湛。其画风纯正古雅,形成小写意用笔灵便,色墨瑰丽,格调清新,大写意则笔墨酣畅淋漓的个人画风。画作精致典雅,妙趣横生,多次入选书画大展并获奖,被载入数部书画典集,深的行家及爱好者喜爱,并被国内外友人所收藏。现为中央国家机关美术家协会会员、中国乡土艺术协会特聘书画师、中国神都书画院艺术委员会主任、北京古街书画院艺委会委员、北京西城美术家协会常务理事、副秘书长等。

Gao Zengmao, number one dust. Born in 1949 in Beijing, graduated from fine arts bachelor's degree. Childhood by bai Shi disciple Li Baiheng enlightenment, love painting and calligraphy; In 1974, he was accepted as a disciple of the famous painter Mr. Wang Xuetao. He systematically studied Chinese painting for several years and got the essence of Mr. Wang's brushwork. In 1981, he was taught calligraphy and seal cutting by Mr. Xu Botao, a famous calligrapher and seal cutter. Calligraphy and painting practice, moral and artistic xin, devoted to the study of The history of Chinese painting and calligraphy, carefully figure out the ancient calligraphy and painting skills, adhere to the teaching of theoretical painting, writing and superb skills. Its painting style pure and quaint, the formation of small freehand brushwork clever, color and ink magnificent, fresh style, freehand brushwork is full of personal painting style. His paintings are exquisite and elegant and full of fun. He has been selected for many painting and calligraphy exhibitions and won awards. He has been included in several painting and calligraphy collections, which are deeply loved by experts and lovers and collected by friends at home and abroad. He is now a member of the Central State organs Artists Association, a specially hired artist of the Chinese local Art Association, director of the Art Committee of the Chinese Shendu Painting and Calligraphy Academy, a member of the art committee of the Beijing Ancient Street Painting and calligraphy Academy, standing director and deputy secretary general of the Beijing Xicheng Artists Association, etc.

Gao zengmao's flower and bird works have solid traditional skills. The so-called traditional brush and ink skills are not completed in a few strokes. Gao Zengmao's brush and ink are not only handsome in a big way, but also deliberate in a small way. Sometimes brushwork, sometimes brushwork, his pursuit of his own work is always thoughtful. Gao zengmao was very diligent, and his diligence can be seen in the number of his works. His works always have a new look at every other stage, which is the embodiment of his continuous search for breakthroughs and the pursuit of a new self. In the formal language of flower and bird painting, he has shown his strong personal appeal for innovation. Not follow the traditional composition, but pay attention to find a modern expression. Although he used the traditional double hook, meticulous brush, concurrently writing or freehand brushwork, he focused more on new language, new techniques, new composition to express the new artistic conception in his mind.

Gao zengmao's flower and bird works have solid traditional skills. The so-called traditional brush and ink skills are not completed in a few strokes. Gao Zengmao's brush and ink are not only handsome in a big way, but also deliberate in a small way. Sometimes brushwork, sometimes brushwork, his pursuit of his own work is always thoughtful. Gao zengmao was very diligent, and his diligence can be seen in the number of his works. His works always have a new look at every other stage, which is the embodiment of his continuous search for breakthroughs and the pursuit of a new self. In the formal language of flower and bird painting, he has shown his strong personal appeal for innovation. Not follow the traditional composition, but pay attention to find a modern expression. Although he used the traditional double hook, meticulous brush, concurrently writing or freehand brushwork, he focused more on new language, new techniques, new composition to express the new artistic conception in his mind.

高增懋的花鸟作品具有单纯而自然的美的呈现。给我的感觉总是不苟言笑,但他笔下的花鸟作品给我们展示的却是大自然最多姿多彩的感性的一面,清新、明丽、单纯、静谧、自然、妩媚,深得古人所谓“乐意相关禽对语,生香不断树交花”之境。从绘画角度讲,他的那种取神得形、以线立形、以形达意的绘画方式是他对自己内心世界的观照,也是对自己最不需要干扰的诗意生活的描绘。他的作品除了造型准确的同时,保持了线条的自然流动和物象的色彩呈现,与环境汇成一片灿烂春光,杂而不乱,艳而不俗。实际上,高增懋是在另外一个角度造境,造心中的境,造远离世俗的时空。在那里,你能体验到一种源自内心的平静,是一种“处处清凉水,时时般若花”的逍遥境界。多年来,高增懋对花鸟画创作情有独钟,孜孜不倦地临习古人画卷,汲取众家之长,每有所得,尤得京派齐白石,王雪涛的传承。

Gao Zengmao's flower and bird works have a simple and natural beauty. My impression is always serious, but his works of flowers and birds show us the most colorful perceptual side of nature, fresh, bright, simple, quiet, natural and charming, which has won the ancient saying that "we are willing to talk about related birds, and keep growing fragrance and flowers". From the perspective of painting, his way of taking shape by god, standing shape by line and expressing ideas by form is his observation of his inner world, as well as the description of his poetic life that needs the least interference. In addition to accurate modeling, his works maintain the natural flow of lines and color presentation of objects, and the environment into a brilliant spring, miscellaneous but not disorderly, colorful but not vulgar. In fact, Gao Zengmao is in another Angle to create the environment, create the heart of the environment, create away from the secular time and space. There, you can experience a kind of inner peace, a carefree state of "cool water everywhere, prajna flower everywhere". Over the years, Gao Zengmao has a special preference for the creation of flower and bird paintings, diligently studying ancient scrolls, drawing from the long family, every gain, especially the Inheritance of Beijing Qi Baishi, Wang Xuetao

the form full of meaning, let the image beyond the image, finally achieve the full expression of aesthetic image.

By virtue of keeping and detachment, by virtue of the depth of feeling, meaning and interest foot, by virtue of the bright and elegant, silent painting and god in the trace of interest, beyond the image, Mr. Gao Zengmao's flower and bird painting art as yan peak stands above the contemporary painting, can be regarded as a good example of artistic creation.