时代周刊本篇文章3653字,读完约9分钟

 

Danqing dyes the world-Jiang Xinfu

蒋新福:

1985年入江苏省文艺学院,师承程大利、卢星堂、叶维、徐培晨、章志远等老师学习山水、花鸟画,2013、2016年师承曾刚、施云翔老师学习彩墨山水画,2020年拜山水画大师潘髙鹏先生为师学习山水画。

现为:

江苏省美术家协会会员

江苏省花鸟画研究会会员

Jiang Xinfu:

In 1985, he entered Jiangsu Institute of Literature and Art and studied landscape and flower-and-bird painting under teachers Cheng Dali, Lu Xingtang, Ye Wei, Xu Peichen and Zhang Zhiyuan. In 2013 and 2016, he studied color ink landscape painting under teachers Ceng Gang and Shi Yunxiang. In 2020, he studied landscape painting under teachers Pan Gaopeng.

It is now:

Member of Jiangsu Artists Association

Member of Jiangsu Flower and Bird Painting Research Association

新福山水之气

文 / 孟昌明

我以为山水画的气局最重要,好的局如排兵布阵,阴阳互动都是哲学层面数的天机,而气,是山水形式的灵魂,即使谢赫,也是把“气韵生动”放在“六法”第一位的。

傅抱石玩一口气,这一口荡气回肠之气,让技法显得不重要,李可染山水有汉碑的古气,潘天寿有爨龙颜那样的傲气,陈子庄则是水洗过一般的清明之气——看到老同学新福发来的山水近作,我依然用气的法则去透视,他笔墨中是一股来自里下河的乡土气,这本真的乡土气情味葱茏,扑面动人。

山水是自然养就的艺术,其核心无非是用一个符号去诠释画家审美的心思,新福的家乡没有山,他的山水是主观的山水,是发自心源企图和自然沟通的山水。

传统山水无非是浅洚青绿辅以墨色。黄宾虹在认识方法上以儒家士大夫的身段最深彻地了悟山水画内在的禅机,而设色层面上,老人家没有或是不愿意在规范中再跨出一步。新福求学一定也没少看过名声赫赫的金陵画派,色彩在金陵画派的版图上以服务为目的宣传性质的表达,多少带着明显的时代烙印和潜政治特色,新福是初生牛犊,到也没什么清规戒律的羁绊,看到的听到的或是想到的,都可以按照心愿编造自我的程序,粉红的杏花、青青的杨柳、金黄的麦田,一群燕子恹恹飞过——大红大绿近乎原色,新福涂着抹着也有一番率性。

新福有活动,微信嘱咐写一个小文章助阵,我对山水着力不多,但对老同学的绘画有不能不发一点言论并且不是传统概念的评论,趁着大洋对岸飞回的时差,随心所欲写下这些文字,为新福的作品和精神叫好。

于美国旧金山

Xin Fu Shan Shui Qi

Text/Meng Changming

I think the Qi Bureau of landscape painting is the most important. A good bureau is like arranging troops, and the interaction between yin and yang is the secret of philosophical level, while Qi is the soul of landscape form. Even Sheikh puts "vivid charm" first in the "six methods".

Fu Baoshi played with one breath, This breath is full of emotion, Make the technique seem unimportant, Li Keran's landscape has the ancient spirit of Han monument, Pan Tianshou has the pride of Cuan Longyan, and Chen Zizhuang has the general clear spirit after being washed. Seeing the recent landscape works sent by Xinfu, an old classmate, I still use the law of gas to see through it. His pen and ink is a local spirit from Lixia River, which is really verdant and moving.

Landscape is an art nurtured by nature, and its core is nothing more than to interpret the painter's aesthetic mind with a symbol. Xinfu's hometown has no mountains, and his landscape is subjective, and it is a landscape that comes from the heart and attempts to communicate with nature.

Traditional landscapes are nothing more than shallow green with ink. Huang Binhong deeply understood the inherent Zen machine of landscape painting with the figure of Confucian scholar-bureaucrat in the way of cognition, while the elderly did not or were unwilling to take another step in the standard in the level of color design. Xinfu must have seen the famous Jinling Painting School when he studied. Color is expressed in a propaganda nature for the purpose of service on the map of Jinling Painting School, With obvious brand of the times and latent political characteristics, Xinfu is a newborn calf, and there is no fetter of rules and regulations. What you see, hear or think of can be fabricated according to your wishes. Pink apricot flowers, green willows and golden wheat fields, a group of swallows fly by-red and green are almost primary colors, and Xinfu has some willfulness when smeared.

Xinfu has activities, and WeChat tells me to write a small article to help out. I don't pay much attention to landscapes, but I can't help but make a little comment on old classmates' paintings, which is not a comment on traditional concepts. Taking advantage of the time difference flying back across the ocean, I write these words at will to applaud Xinfu's works and spirit.

San Francisco, USA