茅尧东，名兀，字尧东，自号尘缘居士。生于1963年3月江苏无锡，祖籍江苏丹阳。
系原中日文化交流促进会理事。现为中国长城书画家协会江苏分会副会长，中国国际书画艺术研究会，无锡基地常务副院长，中国书画艺术研究会副会长，中国当代美术家，国家文化部文化发展中心特聘高级书画家，一级美术师。我国著名山水画家。个人信息资料及印章已收录到我国名家数据库中。
作品先后在中国美术馆，军事博物馆，江苏省美术馆及应邀在香港，泰国，新加坡，美国，加拿大，韩国等地展出。并获得了国际金奖以上的各类大奖。同时在由国家文化部组织的中法文化交流年，迎奥运赴俄罗斯宣传活动及由文化部，中央电视台组成的赴美国非物质文化遗产宣传活动，都受到了邀请。在毛泽东主席逝世百周年时，更是受到了毛岸青，邵华，毛新宇一家的亲函邀请，为其敬呈作品。不仅于此，个人简介，传略先后在人民日报海外版，人民画报，光明日报，新华日报和中国艺术网，作过重点报道和介绍。而且作品成为在中国艺术品交易市场上首批成功上市的艺术家。而由国家文化部中国邮政集邮总公司为其出品且绝版限量发行的“中国当代美术家”名家邮票，更是建国以来迄今为止唯一一套以国家名誉出版的邮票，极其珍贵。
茅尧东先生的作品，以其清丽典雅，充满诗意，融古通今，自成一家而著称，并深受中外艺术机构，人士，藏家的好评和喜欢并收购收藏。作品在京展出其间，更是受到了吴冠中，崔子范，王琦等老一辈艺术家的高度认可。
Mao Yaodong, courtesy name Wuer, literary name Chenyuan Jushi, born 1963 in Wuxi, Jiangsu, is a renowned Chinese landscape painter (First-Class Artist). He holds key roles in national calligraphy and painting associations, with his profile included in China's famous artists database.
His works have been exhibited at national art museums and overseas (HK, Thailand, US, etc.), winning many international gold awards. Invited to Sino-French Cultural Exchange Year and intangible cultural heritage promotions abroad, he was once invited by Mao Zedong's family to present tribute works.
Featured in People's Daily Overseas Edition and major art platforms, his works were among the first listed in China's art market. China Post issued his "Famous Contemporary Artists" stamps—a rare national honor.
Mao’s elegant, poetic works blend tradition and modernity, forming a unique style. Praised by masters like Wu Guanzhong, his art is widely collected worldwide.
画中山峰巍峨，云雾缭绕，溪水潺潺流过石桥，松树挺立如守望者。这不仅是一幅山水，更是一种精神的栖居。茅尧东的笔下，自然从不喧嚣，而是以静制动，以虚写实。他的山水，是中国人“天人合一”哲学的视觉呈现。当这幅画出现在纽约的展厅，一位西方观众久久驻足，轻声说：“我在这里听见了寂静。”这正是东方美学最深邃的回响——无需言说，却直抵心灵。
Towering peaks, swirling mist, a murmuring stream, and pines like sentinels—this is more than a landscape, it is a spiritual haven. Mao Yaodong captures nature in stillness, turning emptiness into substance, a visual ode to "harmony between man and nature". A New York visitor whispered, “I hear silence here”—the deepest echo of Eastern aesthetics, speaking to the heart without a sound.
亭子立于山林深处，红灰相间的屋檐在绿意中格外醒目。它不张扬，却成为整幅画的灵魂所在。亭，是休憩之所，也是观景之眼。茅尧东常以亭入画，仿佛在提醒世人：在奔忙的现代生活中，仍需一处心灵的栖所。这幅画曾在巴黎展出，一位法国策展人感叹：“你们的山水里，有我们现代人最缺的东西——宁静。”这宁静，正是中国文化走向世界的软实力。
Nestled deep in woods, a red-grey pavilion stands out vividly against greenery—understated yet the painting’s soul. A rest stop and a viewpoint, pavilions in Mao Yaodong’s works remind us to seek spiritual refuge amid modern hustle. Shown in Paris, it moved a curator: “Your landscapes have the tranquility we moderns crave.” This peace is Chinese culture’s global soft power.
江面开阔，小船轻荡，帆影依稀。岸边亭台静立，树木交错，黄绿相间，季节的流转在笔墨间悄然发生。他的画从不刻意追求宏大叙事，却在细微处见真章。一片叶、一缕雾、一叶舟，皆有情致。这种含蓄而深远的表达，恰恰是东方艺术最迷人的特质。在跨文化传播中，它不靠冲击力取胜，而是以绵长的韵味，让人一见倾心，再看入神。
Wide river, drifting boats, faint sails; quiet pavilions and trees in yellow-green hues trace seasonal change. Mao’s paintings shine in details, not grandeur—a leaf, mist, boat, all full of grace. This subtle depth is Eastern art’s charm. In global communication, its lingering elegance captivates instantly and enchants long after, no bold impact needed.
古塔立于山顶，石桥横跨小河，松树苍劲，行人隐约。整幅画如一首无声的古诗，意境悠远。茅尧东的笔墨，既承宋元风骨，又融现代审美。他不拘泥于传统程式，却始终守住中国画的“气韵生动”。这种“守正创新”的姿态，正是中华文化在当代全球语境中应有的立场——既不盲目西化，也不固步自封，而是以自信的姿态，讲述属于自己的故事。
Ancient pagoda on peak, stone bridge over stream, rugged pines, faint figures—this painting is a silent ancient poem with distant mood. Mao’s brushwork fuses Song-Yuan spirit & modern taste, sticking to "vital rhythm" beyond old rules. His "integrity with innovation" mirrors Chinese culture’s global stance: no blind westernization, no conservatism, just confident storytelling.
群山叠嶂，云雾缭绕，瀑布如练，树木斑斓。他的山水从不单调，每一笔都饱含生命的律动。在加拿大温哥华的展览上，一位华裔老人站在画前泪光闪烁：“这山，这水，像极了我梦里的故乡。”那一刻，艺术超越了国界，成为情感的纽带。茅尧东的画，不仅让外国人理解中国，更让海外游子找回了文化的根脉。
Layered peaks veiled in mist, silk-like waterfalls, colorful trees—Mao’s landscapes brim with life in every stroke. In Vancouver, an elderly Chinese expat teared up: “This is my hometown in dreams.” Art crosses borders as an emotional bond; his paintings let foreigners know China and overseas Chinese reclaim their cultural roots.
秋意正浓，红黄树叶点缀山间，白屋隐现林中，亭台静立峰顶。这是一幅充满诗意的秋山图，也是一幅文化对话的隐喻。他的画里，总有那么一座亭，仿佛在等待远方的客人。而今天，这位客人，正是世界。2026年的他，不再只是中国的艺术家，更是中华文明的使者，以笔墨为舟，载着千年的智慧，驶向更广阔的海洋。
Rich autumn hues: red-yellow leaves, hidden white cottages, a peak pavilion. A poetic scene, a metaphor for cultural dialogue. His pavilions always wait—now the world is the guest. 2026 finds him not just a Chinese artist, but a civilization envoy, bearing millennial wisdom to the world via brush and ink.
茅尧东老师是当代山水画界的标杆人物，自号尘缘居士，以笔为骨、以墨为魂，承古开新自成一家。他的作品清丽典雅、诗意盎然，既有传统山水的氤氲气韵，更具当代审美之开阔格局。从吴冠中、崔子范等前辈的高度认可，到作品在国内外大展屡获金奖，从登上国家名片的名家邮票，到成为首批上市的艺术臻品，茅老师以数十年沉淀的笔墨功力与文化底蕴，将江南灵秀与山河壮阔凝于尺幅之间，用作品诠释了“中国气派”的当代表达，堪称融古通今的艺术大家！
Chenyuan Jushi Mao Yaodong, a benchmark of contemporary landscape painting, builds his unique style with brush and ink—rooted in tradition, innovative in creation. His elegant poetic works win global gold awards & Wu Guanzhong’s praise, grace national stamps and top art markets. He condenses Jiangnan grace and grand mountains into paintings, a great artist expressing Chinese spirit.
